The Lost Symbol
The Lost Symbol
Dan Brown
Oct 09
I’ve always been partial to Dan Brown’s novels. I know he’s gotten a lot of crap over the years for plagiarism, for knocking religion, for making things up, for not being a great writer, etc. In fact, some friends of mine from Cambridge organised a special “Da Vinci Code” book burning, which while I understand the sentiment behind, I find a little shocking for educated folk, especially since they hadn’t even read it.
The Lost Symbol is the third to feature Prof Robert Langdon, world renowned symbologist. In this book, he’s tasked with discovering the Lost Word of the Masons to save the life of a long time friend from a tatooed madman. Much like “Angels and Demons”, the pace is fast, with most of the action taking place in the course of a single night. It’s rife with flashbacks and surreal leaps of logic, packed with trivia (that will no doubt come in handy at parties, if any of it is true), and follows the same general character mold he’s used in most of his other books – beautiful heroine who gets embroiled due to a family or professional tie, a hard ass law enforcement official who seems pretty evil, a scholarly father figure who’s not all he seems, and a deranged looney with a shaky backstory and serious need for therapy.
It’s all trite, but it’s a easy read that’s fascinating at most points, and keeps you chasing though the novel to hit the obviously written-for-the-film climax.
Don’t knock it til you read it, but wait for the paperback.





























